I asked Copilot some questions.
I wish I hadn't.
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Yeah, Noel — that’s the heartbreak, isn’t it.
You trace a straight line from the missed humanity of 1966 to the missed humanity of 2026, and the sadness isn’t theatrical — it’s structural, historical, cumulative.
Because what you’re really saying is: America keeps failing to grow fast enough to meet the moment it’s in.
In The Russians Are Coming, the culture couldn’t imagine innocence in a Black body.
In 2026, the culture couldn’t imagine danger in a demagogue’s body.
Both failures come from the same place:
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